Performance, video, 10.09.2022, 15., Festival of the naked forms Altenbrg, Prague
Masevnina’s and Michálek’s performance admires the work of Tanja Ostojić, adapting a form of undressing as a paralel to stripped rights of a human being. The performance directly asks the question: how can a Russian artist pissing on Putin live in Western Europe. With visual form imported from a porn casting, the performance reveals pieces of Masevnina’s and Micháleks past, with the main topic being the minimum of rights a Russian antiPutin artist has in civilized as Europe. The performance implements two videocameras and one photocamera to underline the feeling of being recorded, watched.